November 28, 2011
(via Oneironaut - butterfly knife)
These pieces communicate the fantastical, surreal feelings of my own dreams through the very reality-based medium of photography. Some of the photographs are recreations of “snapshot” memories of dreams — a detailed fragment from a larger, mostly-forgotten dream —  while other photographs attempt to recreate the overall feeling of a particular dream. I experimented with lighting and very slow shutter speeds in order to distort and hide parts of the subject, while highlighting and revealing others — conveying the feeling of a dream not fully remembered. In order to suggest the layers of sensory information that exist within dreams and just how distorted they can be, I manipulated the negatives and the prints. By scratching and drawing on the negatives I could create bold shapes and borders while also adding a grimy, aged quality to the photographs. Layers of torn and cutout sheets of tissue, placed directly on top of the photo paper during exposure created ghostly, warped shapes.

(via Oneironaut - butterfly knife)

These pieces communicate the fantastical, surreal feelings of my own dreams through the very reality-based medium of photography. Some of the photographs are recreations of “snapshot” memories of dreams — a detailed fragment from a larger, mostly-forgotten dream — while other photographs attempt to recreate the overall feeling of a particular dream. I experimented with lighting and very slow shutter speeds in order to distort and hide parts of the subject, while highlighting and revealing others — conveying the feeling of a dream not fully remembered. In order to suggest the layers of sensory information that exist within dreams and just how distorted they can be, I manipulated the negatives and the prints. By scratching and drawing on the negatives I could create bold shapes and borders while also adding a grimy, aged quality to the photographs. Layers of torn and cutout sheets of tissue, placed directly on top of the photo paper during exposure created ghostly, warped shapes.

November 28, 2011
(via Oneironaut - antivenin)
These pieces communicate the fantastical, surreal feelings of my own dreams through the very reality-based medium of photography. Some of the photographs are recreations of “snapshot” memories of dreams — a detailed fragment from a larger, mostly-forgotten dream —  while other photographs attempt to recreate the overall feeling of a particular dream. I experimented with lighting and very slow shutter speeds in order to distort and hide parts of the subject, while highlighting and revealing others — conveying the feeling of a dream not fully remembered. In order to suggest the layers of sensory information that exist within dreams and just how distorted they can be, I manipulated the negatives and the prints. By scratching and drawing on the negatives I could create bold shapes and borders while also adding a grimy, aged quality to the photographs. Layers of torn and cutout sheets of tissue, placed directly on top of the photo paper during exposure created ghostly, warped shapes.

(via Oneironaut - antivenin)

These pieces communicate the fantastical, surreal feelings of my own dreams through the very reality-based medium of photography. Some of the photographs are recreations of “snapshot” memories of dreams — a detailed fragment from a larger, mostly-forgotten dream — while other photographs attempt to recreate the overall feeling of a particular dream. I experimented with lighting and very slow shutter speeds in order to distort and hide parts of the subject, while highlighting and revealing others — conveying the feeling of a dream not fully remembered. In order to suggest the layers of sensory information that exist within dreams and just how distorted they can be, I manipulated the negatives and the prints. By scratching and drawing on the negatives I could create bold shapes and borders while also adding a grimy, aged quality to the photographs. Layers of torn and cutout sheets of tissue, placed directly on top of the photo paper during exposure created ghostly, warped shapes.

November 28, 2011
(via Oneironaut - the soldier)
These pieces communicate the fantastical, surreal feelings of my own dreams through the very reality-based medium of photography. Some of the photographs are recreations of “snapshot” memories of dreams — a detailed fragment from a larger, mostly-forgotten dream —  while other photographs attempt to recreate the overall feeling of a particular dream. I experimented with lighting and very slow shutter speeds in order to distort and hide parts of the subject, while highlighting and revealing others — conveying the feeling of a dream not fully remembered. In order to suggest the layers of sensory information that exist within dreams and just how distorted they can be, I manipulated the negatives and the prints. By scratching and drawing on the negatives I could create bold shapes and borders while also adding a grimy, aged quality to the photographs. Layers of torn and cutout sheets of tissue, placed directly on top of the photo paper during exposure created ghostly, warped shapes.

(via Oneironaut - the soldier)

These pieces communicate the fantastical, surreal feelings of my own dreams through the very reality-based medium of photography. Some of the photographs are recreations of “snapshot” memories of dreams — a detailed fragment from a larger, mostly-forgotten dream — while other photographs attempt to recreate the overall feeling of a particular dream. I experimented with lighting and very slow shutter speeds in order to distort and hide parts of the subject, while highlighting and revealing others — conveying the feeling of a dream not fully remembered. In order to suggest the layers of sensory information that exist within dreams and just how distorted they can be, I manipulated the negatives and the prints. By scratching and drawing on the negatives I could create bold shapes and borders while also adding a grimy, aged quality to the photographs. Layers of torn and cutout sheets of tissue, placed directly on top of the photo paper during exposure created ghostly, warped shapes.

November 28, 2011
(via Oneironaut - wolf-girl gets dumped)
These pieces communicate the fantastical, surreal feelings of my own dreams through the very reality-based medium of photography. Some of the photographs are recreations of “snapshot” memories of dreams — a detailed fragment from a larger, mostly-forgotten dream —  while other photographs attempt to recreate the overall feeling of a particular dream. I experimented with lighting and very slow shutter speeds in order to distort and hide parts of the subject, while highlighting and revealing others — conveying the feeling of a dream not fully remembered. In order to suggest the layers of sensory information that exist within dreams and just how distorted they can be, I manipulated the negatives and the prints. By scratching and drawing on the negatives I could create bold shapes and borders while also adding a grimy, aged quality to the photographs. Layers of torn and cutout sheets of tissue, placed directly on top of the photo paper during exposure created ghostly, warped shapes.

(via Oneironaut - wolf-girl gets dumped)

These pieces communicate the fantastical, surreal feelings of my own dreams through the very reality-based medium of photography. Some of the photographs are recreations of “snapshot” memories of dreams — a detailed fragment from a larger, mostly-forgotten dream — while other photographs attempt to recreate the overall feeling of a particular dream. I experimented with lighting and very slow shutter speeds in order to distort and hide parts of the subject, while highlighting and revealing others — conveying the feeling of a dream not fully remembered. In order to suggest the layers of sensory information that exist within dreams and just how distorted they can be, I manipulated the negatives and the prints. By scratching and drawing on the negatives I could create bold shapes and borders while also adding a grimy, aged quality to the photographs. Layers of torn and cutout sheets of tissue, placed directly on top of the photo paper during exposure created ghostly, warped shapes.

November 28, 2011
(via Oneironaut - amor sui)
These pieces communicate the fantastical, surreal feelings of my own dreams through the very reality-based medium of photography. Some of the photographs are recreations of “snapshot” memories of dreams — a detailed fragment from a larger, mostly-forgotten dream —  while other photographs attempt to recreate the overall feeling of a particular dream. I experimented with lighting and very slow shutter speeds in order to distort and hide parts of the subject, while highlighting and revealing others — conveying the feeling of a dream not fully remembered. In order to suggest the layers of sensory information that exist within dreams and just how distorted they can be, I manipulated the negatives and the prints. By scratching and drawing on the negatives I could create bold shapes and borders while also adding a grimy, aged quality to the photographs. Layers of torn and cutout sheets of tissue, placed directly on top of the photo paper during exposure created ghostly, warped shapes.

(via Oneironaut - amor sui)

These pieces communicate the fantastical, surreal feelings of my own dreams through the very reality-based medium of photography. Some of the photographs are recreations of “snapshot” memories of dreams — a detailed fragment from a larger, mostly-forgotten dream — while other photographs attempt to recreate the overall feeling of a particular dream. I experimented with lighting and very slow shutter speeds in order to distort and hide parts of the subject, while highlighting and revealing others — conveying the feeling of a dream not fully remembered. In order to suggest the layers of sensory information that exist within dreams and just how distorted they can be, I manipulated the negatives and the prints. By scratching and drawing on the negatives I could create bold shapes and borders while also adding a grimy, aged quality to the photographs. Layers of torn and cutout sheets of tissue, placed directly on top of the photo paper during exposure created ghostly, warped shapes.

November 28, 2011
(via Oneironaut - hypoxia)
These pieces communicate the fantastical, surreal feelings of my own dreams through the very reality-based medium of photography. Some of the photographs are recreations of “snapshot” memories of dreams — a detailed fragment from a larger, mostly-forgotten dream —  while other photographs attempt to recreate the overall feeling of a particular dream. I experimented with lighting and very slow shutter speeds in order to distort and hide parts of the subject, while highlighting and revealing others — conveying the feeling of a dream not fully remembered. In order to suggest the layers of sensory information that exist within dreams and just how distorted they can be, I manipulated the negatives and the prints. By scratching and drawing on the negatives I could create bold shapes and borders while also adding a grimy, aged quality to the photographs. Layers of torn and cutout sheets of tissue, placed directly on top of the photo paper during exposure created ghostly, warped shapes.

(via Oneironaut - hypoxia)

These pieces communicate the fantastical, surreal feelings of my own dreams through the very reality-based medium of photography. Some of the photographs are recreations of “snapshot” memories of dreams — a detailed fragment from a larger, mostly-forgotten dream — while other photographs attempt to recreate the overall feeling of a particular dream. I experimented with lighting and very slow shutter speeds in order to distort and hide parts of the subject, while highlighting and revealing others — conveying the feeling of a dream not fully remembered. In order to suggest the layers of sensory information that exist within dreams and just how distorted they can be, I manipulated the negatives and the prints. By scratching and drawing on the negatives I could create bold shapes and borders while also adding a grimy, aged quality to the photographs. Layers of torn and cutout sheets of tissue, placed directly on top of the photo paper during exposure created ghostly, warped shapes.

November 28, 2011
(via Oneironaut - the witch)
These pieces communicate the fantastical, surreal feelings of my own dreams through the very reality-based medium of photography. Some of the photographs are recreations of “snapshot” memories of dreams — a detailed fragment from a larger, mostly-forgotten dream —  while other photographs attempt to recreate the overall feeling of a particular dream. I experimented with lighting and very slow shutter speeds in order to distort and hide parts of the subject, while highlighting and revealing others — conveying the feeling of a dream not fully remembered. In order to suggest the layers of sensory information that exist within dreams and just how distorted they can be, I manipulated the negatives and the prints. By scratching and drawing on the negatives I could create bold shapes and borders while also adding a grimy, aged quality to the photographs. Layers of torn and cutout sheets of tissue, placed directly on top of the photo paper during exposure created ghostly, warped shapes.

(via Oneironaut - the witch)

These pieces communicate the fantastical, surreal feelings of my own dreams through the very reality-based medium of photography. Some of the photographs are recreations of “snapshot” memories of dreams — a detailed fragment from a larger, mostly-forgotten dream — while other photographs attempt to recreate the overall feeling of a particular dream. I experimented with lighting and very slow shutter speeds in order to distort and hide parts of the subject, while highlighting and revealing others — conveying the feeling of a dream not fully remembered. In order to suggest the layers of sensory information that exist within dreams and just how distorted they can be, I manipulated the negatives and the prints. By scratching and drawing on the negatives I could create bold shapes and borders while also adding a grimy, aged quality to the photographs. Layers of torn and cutout sheets of tissue, placed directly on top of the photo paper during exposure created ghostly, warped shapes.

November 28, 2011
(via Oneironaut - dirty words)
You guys get to see my latest photo project before anyone else!
These pieces communicate the fantastical, surreal feelings of my own dreams through the very reality-based medium of photography. Some of the photographs are recreations of “snapshot” memories of dreams — a detailed fragment from a larger, mostly-forgotten dream —  while other photographs attempt to recreate the overall feeling of a particular dream. I experimented with lighting and very slow shutter speeds in order to distort and hide parts of the subject, while highlighting and revealing others — conveying the feeling of a dream not fully remembered. In order to suggest the layers of sensory information that exist within dreams and just how distorted they can be, I manipulated the negatives and the prints. By scratching and drawing on the negatives I could create bold shapes and borders while also adding a grimy, aged quality to the photographs. Layers of torn and cutout sheets of tissue, placed directly on top of the photo paper during exposure created ghostly, warped shapes.

(via Oneironaut - dirty words)

You guys get to see my latest photo project before anyone else!

These pieces communicate the fantastical, surreal feelings of my own dreams through the very reality-based medium of photography. Some of the photographs are recreations of “snapshot” memories of dreams — a detailed fragment from a larger, mostly-forgotten dream — while other photographs attempt to recreate the overall feeling of a particular dream. I experimented with lighting and very slow shutter speeds in order to distort and hide parts of the subject, while highlighting and revealing others — conveying the feeling of a dream not fully remembered. In order to suggest the layers of sensory information that exist within dreams and just how distorted they can be, I manipulated the negatives and the prints. By scratching and drawing on the negatives I could create bold shapes and borders while also adding a grimy, aged quality to the photographs. Layers of torn and cutout sheets of tissue, placed directly on top of the photo paper during exposure created ghostly, warped shapes.